Sunday, 19 May 2013

THE GOOD LIFE: MRS TREFUSIS ON THE SEVENTIES DINNER PARTY


'Do you remember Mummy getting ready to go out when we were little?' I ask my sister as we share a quick cocktail in Claridges in the lost half hour between leaving the office and going home - the unreliability of the Central Line providing an excuse for sneaking in a drink and a gossip before dashing back for the children's bath-time.  'She used to lie on her bed for ages under a Charles of the Ritz face-masque before putting on her party make-up - Max Factor Crème Puff and the Charles of the Ritz cream eyeshadow that came in little pots of peacock blue and bronzy gold - and her mascara was the block kind you had to spit into.'
My sister gives a moue of disgust, evidently wondering how women escaped conjunctivitis in the early seventies if that was the sort of primitive cosmetic on offer.
'I don't remember the makeup,' she says, beadily watching me hoover up the last of the olives, nuts and cheese-straw-ish things, 'But I do remember her evening bag: it was all shiny black sequins and there was never anything in it other than spilt face powder. And she had a long velvet skirt from Jollys of Bath worn with a white frilly shirt and patent shoes with buckles and a chunky square heel, very this season Vuitton actually.'
'I loved that outfit - it was what she always wore to go out.'
 
'She must have had others: She was very glamorous in those days,' says my sister, 'She can't only have had one party look.'
'No, no,' I say airily, 'in the 1970's there were virtually no shops, so it was hard to get anything new, and even if you could, you were basically expected to wear the same thing to everything, or get a reputation for hopeless extravagance, spending all your husband's money.'
'What rubbish,' says my sister with some justification, despite being not quite three in the days of the sequinned evening bag, 'You could get all the latest fashions from Jollys of Bath in 1973. And anyway, there was definitely a dress with big bell sleeves and a swishy skirt that went all the way to the floor.'
'Like Princess Anne's wedding dress, but floral?' I ask, and my sister nods. 'I think that came later, for dinner parties at home. You know, when everyone turned into Margot in The Good Life and wore false nails and carmen-rollered their hair and tripped over their long dresses.'
'I liked being on peanut and crisp passing duty. Don't you think it's weird how much proper booze people drank before dinner in those days? It was all sherry, or whisky or warm gin and tonic – people must have been plastered before they sat down to eat.’
‘They’d sober up during dinner,’ I offer, ‘There was never more than two bottles of wine – some kind of German number for the starter and the fish, and a claret with whatever was in the Hostess Trolley.'
'But then they'd get stuck into the Cointreau or brandy or port after the cheese. And drive home.' Says my sister with thundering disapproval. 'It's a miracle no one got killed.'
The conversation diverts down a health and safety track, taking in Jimmy Saville's 'Clunk Click Every Trip' and the road safety squirrels - the Tufty Club? - before we realise the time and hurriedly pay the bill.
And on the tube home, I find myself thinking about this Saturday's scheduled supper party  - no starched linen napkins coaxed into waterlily shapes chez Trefusis, or slavishly followed recipes involving things flambeed in brandy and doused in cream. Nor will women don evening dresses after an afternoon relaxing with a face-pack - dressing for dinner in West London means swapping Converse for heels after frantically wrangling the spawn into bed before the baby-sitter arrives. Smokers will volunteer to light up in the garden, rather than fug the dining room with fag smoke and bibulous guests will take themselves off home via Hailo or Anderson Lee.
Home Entertaining in 2013 is a far cry from what was de rigeur in the years between Ziggy Stardust and The Three Day Week. Nevertheless, some things will never change: the Infant Trefusii will be co-opted into politely handing round the olives, Kettle chips and crudités before being sent to bed, where, like my sister and I nearly forty years earlier, they'll watch the evening unfold from a vantage point at the top of the stairs.





First published on harpersbazaar.co.uk

For my latest Harper's Bazaar post, on beauty, botox and de-ageing, click here

Friday, 26 April 2013

MRS TREFUSIS ON HARPERSBAZAAR.CO.UK

I'm very pleased to be writing a blog for harpersbazaar.co.uk: The Prime of Mrs Trefusis.

Here's my first post:

'My Mummy is the most beautiful of all the mummies.' said the Tiniest Trefusis to her best friend when I picked her up from school last week. By any objective aesthetic benchmark, I am very far from the foxiest creature at the gates of the Lycée, surrounded as I am by a sea of Moncler-clad young Mamans, all of whom are part Beatrice Dalle, part Charlotte Gainsbourg in their long-haired, long-legged lissomness, their inimitable Gallic chic making me feel eccentrically British by comparison. [to read more, click here....]



I'm going to try to post there every week (and I'll put the post up here as well) - at least, that's the intention, but as regular readers of this blog will know, the road to hell is mostly paved with my good intentions...

Friday, 15 February 2013

LE CINQ Á SEPT



Somewhere in the years after Baudelaire expired from an excess of absinthe and poetry and before Proust had everyone madly eating madeleines as a memory aid, it became fashionable for your average Haute Bourgeois to keep a mistress, who he'd visit on the way home from the office. The French, having no truck with our mimsy, pursed-lip disapproval of infidelity, coined a phrase for these two relaxing hours wedged between the responsibilities of work and the duties of family: 'Le Cinq á Sept' entered the language as a little lost time in the early evening when one could indulge in some 'no-questions-asked' philandering. 

Lately, it's struck me that this incredibly louche phrase should be revived for the twenty-first century. I'm not advocating adultery - after all, who has the time or energy - but I wonder if le cinq á sept could be repurposed to mean a stolen hour where one can go off grid. My days are spent ricocheting between one meeting and another, the tiny gaps between meetings punctuated by frantic blackberrying just to stay on top of the demands of the job. Then I hurtle home to wrangle the infant Trefusii into bath and bed and make dinner by the end of which I'm too wrung out to do more than snarl at Mr Trefusis before collapsing gratefully into bed. How much more agreeable I might be if I carved a little Cinq á Sept into my day, a very modern take on 'me-time', and - switching off all mobile tracking devices (because as far as the blackberry or the iPhone know, I could be stuck on the underground) - idle into a smart bar for a reviving cocktail with a good book or in the company of an interesting friend. Please don't take 'friend' as a euphemism: to be properly relaxing, my take on le Cinq á Sept is easier if the agenda is uncomplicated. But the sweetest pleasures often need an illicit element, and in the case of my Cinq á Sept, this means home thinking I'm still at work, and work thinking I've gone home...when all the time I'm lounge-lizarding.

THREE OF THE BEST PLACES TO CINQ A SEPT
Cecconi's
Why? For the super-chic euro-crowd and the unbelievably flattering light after dusk. 
Where to sit: At the bar, no one interesting sits at the tables at this time of day.
What to drink: Better Negronis than any bar in Milan
Cecconi's Mayfair
5A Burlington Gardens
London
W1S 3EP
UK
T: +44 (0)20 7434 1500
www.cecconis.co.uk

Bar Americain
Why? For the Gatsby-esque glamour and Bollinger by the glass
Where to sit? The tables nearest the bar are perfect if drinking a deux
What to drink? A Sidecar - it's not on the menu, but Bar Americain's alchemy turns this classic mix of Remy Martin, Cointreau and lemon juice into something spectacular 
Bar Americain
Brasserie Zedel
20 Sherwood Street
London W1F 7ED
United Kingdom
020 7734 4888
www.brasseriezedel.com/bar-americain

Coburg Bar, The Connaught
Why? Sink into the warm embrace of one of the Coburg's velvet armchairs and you'll never want to leave.
Where to sit? The table near the fireplace under the Julian Opies offers good people watching opportunities
What to drink? The extremely comprehensive cocktail list reminds one why 'cocktail' is a verb as well as a noun.
The Coburg Bar at The Connaught
Carlos Place
London
W1K 2AL
Www.the-connaught.co.uk


Thursday, 14 February 2013

DEATH


It can't only have been me who found Jeremy Hunt so depressing on the television news the other night, giving us the oh so marvellous news that the government was capping care home costs in 2017.  Grinning punchably as he always seems to regardless of what's coming out of his mouth, he told us all that we should make provision via insurance or savings in case we degenerate inexorably into a less than perfect old age. Well, Jeremy, can I just say that the unfortunate slip about your name made by Radio 4's Today programme last year is looking increasingly less unfortunate?

I'm talking about this whole crazy-ass issue of accelerating decrepitude with a friend and I say, Bugger care homes, I'm taking the precaution booking myself into Dignitas at 78, with an option to extend should I not be bonkers and a burden by that age, there being nothing like a deadline for a writer after all. And my friend says, absolutely, top idea, me too, book into Dignitas before one's lost one's marbles, say good-bye to nearest and dearest, all that kind of stuff. Have a wonderful last meal, even.

Last meal? I say, What kind of a last meal is one going to get in Switzerland for God's sake? I'm not going to do the decent thing and save the family fortunes from being spanked on a care home in Western Supernightmare for assisted suicide after a Cheese Fondue and half a toblerone. I have in mind a more elegant death: ideally one in which one can choose to discreetly expire in a velvet armchair somewhere not dissimilar to the Coburg Bar of the Connaught, at an elegant and still witty eighty, in exciting shoes and a mink coat, clutching a three-quarter's drunk glass of Krug, whilst a white haired yet still atttactive Daniel Craig reads softly to me from the collected works of Yeats.

What about you? If you could order the manner of your death, what would you choose?

Monday, 11 February 2013

ASK MRS TREFUSIS: WHAT TO WEAR IN FEBRUARY

Stacked heels - back in?




If by 'stacked' you mean the low, chunky, square-ish, sixties inspired heels like those seen at Vuitton and YSL (their Ingenue is attracting a lot of press), then yes, they're in. Should you wear them? Unless you have the coltish legs of Alexa Chung, you're under thirty or have an obviously 'fashion' edge to your look, absolutely not: they are to the WI what peep-toe platforms and spray tans are to footballer's wives, something of a trademark.



Tights with open-toed shoes, nude, opaque, both, neither?

Black opaque tights may be worn with black open-toed shoes as long as the opaque is of sufficient denier not to reveal your toenail varnish. Nude sandals must only ever be worn with bare legs - holiday in the Bahamas, get a spray tan or buy new shoes.



Bootleg jeans - back in?

Are you mad?



Skinny jeans - still in?

Of course. They are the Ford Model T of jeans -any shape you like as long as it's skinny. If your bottom is enormous please wear something long on top.



It's freezing, can I wear fur?

During the snow, I saw more vintage fur in Town than in an auction of Steiff bears. It's controversial, of course, but the theory seems to be that if your coat is very clearly an ancient something inherited from your mother-in-law's mother - by which I mean the styling is well out of date and there's a hint of moth - you can get away with it.

New fur is unacceptable, of course, unless you're Italian or Russian. So, the fur rules are, wear something twenty-third hand or learn to speak with an impenetrable foreign accent. Failing that, buy a thermal vest.

  PS: I like a lot of what's around this season, even if it's too cold to wear it yet, but I can't quite get into the mega-sixties vibe that seems to be so prevalent. I really struggle when fashion revives a period so emphatically because whenever I put anything on, it makes me feel as if I'm off to a fancy-dress party.   That being said, I don't very often embrace a trend full-on these days - mainly because I'm too broke to do it properly, and too old to do it courtesy of H&M or Top Shop. I'll adopt accents, so it doesn't look as if I'm absolutely immune to the lures of fashion - whatever this season's smokey eye is, for instance, or a shoe shape (stacked heel aside) or a colour accent that's particularly strong - but mostly I think the image of Edina from Absolutely Fabulous looking wonderfully ridiculous in head to toe 'this season' is still too strong in my head.   What about you? Which fashion-trends are you struggling with and why? Or which have taken your fancy?

Monday, 4 February 2013

UNIFORM


Every working woman knows what a struggle it is to shrug on something halfway presentable for the office each morning. It's not simply the lack of time, it's the need for five outfits which are simultaneously suitable for office-based meetings, a lunch with clients and a boardroom presentation not to mention fashionable enough to reflect the modernity of one's ideas yet not so hip as to indicate a lack of independent thought. And, unless one is in an extremely creative industry, one is really hoping for elegant anonymity rather than a strong style statement.

Small wonder I've started to pine nostalgically for the days of school uniform. I mean, not my exact school uniform which was composed entirely from different weights and weaves of wool and, because I was educated in the dreich far north, meant we all smelt of wet sheep for nine months of the year. But ugly as it was, uniform meant not having to fret about what to wear every morning, thus freeing up one's head so it could be filled with other, more interesting, things. Ideally, I'd like to get dressed in about three minutes, with minimum fuss and without a single agony of indecision



So, I've resolved to create a workwear uniform of my own: obviously it's in fashion's default colour, black, but two pairs of well-cut trousers, two black skirts (all worn with black cashmere jerseys when cold and white shirts when, erm, less cold) and a black dress will form the daily staples and then it's down to accessories and jewellery to dial the look up from unexceptional to interesting according to what the occasion requires. Such a pared-down look relies heavily on good grooming: a decent hair-cut at the very least, and, in my opinion, on a little more thought given to one's makeup  - it's not really possible to get away with a scrubbed face and a slash of bright lipstick when one's wardrobe borders on the monastic. It's also essential to invest in really good pieces - I spent a decent sum of money on a black wool trouser from Armani six years ago and they're still working as hard as they did when new, making cost per wear about tuppence ha'penny. The same is true of a great DVF wrap dress - again, six or seven years after I bought it, it's still a wardrobe staple. As the saying goes, you can have two out of three - good, cheap and quick - when it comes to workwear, go for good and quick.

Thursday, 22 November 2012

WINTER SUN: ESSAOUERIA

A London Winter is typically miserable - its chilly without being properly cold, and drizzling and dank: a flabby kind of temperature that plays havoc with my hair and sense of humour.

Relief is a three and a half hour flight and a three hour taxi ride away - I left a dismal west London at 9.30 and by seven I was in a tshirt having dinner in Essaoueria - close enough to the Sahara to enjoy temperatures in the seventies in late November, and close enough to London to make a long weekend make sense.

What can I say, it's blissful. After a morning touring the charms of the ancient port and medina, I retired with a book to a sun lounger on the roof of the Riad for an hour. Dorothy, we're not in London anymore.