Showing posts with label ysl lipstick. Show all posts
Showing posts with label ysl lipstick. Show all posts

Thursday, 15 December 2011

IN PRAISE OF RED LIPSTICK

When I wrote about The Plankton back in September, it sparked much debate with friends about whether or not women over forty became suddenly invisible. 

But every conversation about sex appeal - were we still desirable, beautiful, attractive, we asked ourselves anxiously - inevitably turned into a broader discussion about the forty-something state:  Suddenly, I became appallingly paranoid that I would wake up one morning and discover myself wearing purple with a red hat that doesn't go


'We simply have to work harder to make ourselves visible, particularly at work' said my friend Basista, and I think she's right - one does lose the effortlessness of youth in one's mid-forties. Sometimes it's the small things like having to think twice about wearing an A-line skirt with a chunky heel - what looks hip on a thirty year old can easily look frumpy on a fortysomething, particularly if you remember the look first time round - I mean, God knows what havoc the coming Thatcher-inspired trend will wreak. All I'm going to say is, if you're old enough to remember her as Prime Minister, steer well clear of the clothes unless you're achingly hip and very obviously working in fashion. 

Anyway, sometimes it's also the bigger stuff, like realising that life isn't the rehearsal it once was, and you've got to get on with the Next Big Thing before it's Too Late. 

However, since this is supposed to be a post about make-up, I shall stop myself segueing off into some psycho-drama about a dawning realisation of one's mortality/career shelf-life etc etc, because I've remembered that what my friend Basista went onto say - not entirely flippantly - about how the antidote to mid-life invisibility was to wear bright lipstick. She's right, of course but it's not just about making a bold statement, it's also about the subliminal sophistication conferred by a really good red lip. 

Although I'm madly keen on my shiny Dior Addict one, if it's done perfectly, a red lip should be matte and it should also be expensive - not Tom Ford spendy, necessarily, but definitely something bought with due ceremony and sense of occasion from one of the more intimidating beauty counters in a department store. Chanel, of course, is the gold standard when it comes to sophisticated glamour and there are several marvellous reds in the Rouge Allure range, but I do wish they had Rouge Premier - a copy of the first ever red lipstick Chanel produced -  as part of the permanent offer: it came out as a limited edition about ten years ago along with a killingly beautiful gold eyeshadow, and I only wear it once a year because I can't bear to think of using it all up.  

Finding one's perfect red takes time and a lot of experimenting - it's all about nuance - I had fourteen at the last count (six of which are badly photographed below) in every shade of red from vermillion to crimson.


Now that I add up the approximate cost, fourteen red lipsticks is a rather lavish investment. But of course, I wasn't just buying a lipstick, I was investing in the whole idea of myself as elegant and well-put together.

I don't think the search for the perfect red is finished by any stretch of the imagination - I've yet to try the Bobbi Brown red that everyone says is a classic- and as I write this, I've just rummaged in my desk drawer and come across a very serious red I'd forgotten I even had (make that fifteen red lipsticks) - Dior Addict in Red Carpet. Possibly it ticks the 'get you noticed' box a little more emphatically than my everyday red (which I'm wearing in the Dior taxi), but that's all to the good.

Is Basista right? Is bright lipstick the perfect antidote to mid-life invisibility? It certainly seems to give one a much needed confidence boost. However, I'll offer one small warning: the distance between groomed glamour and looking like Bette Davis in 'Whatever Happened to Baby Jane' is little more than a sharp jog of the elbow.


Friday, 27 August 2010

THE BLOODY RAIN

Is there anyone who can face this wretched weather with equanimity? Trefusis Minor is the only person I can find who's not complaining. He likes rain, idiosyncratic child that he is, and moaned loudly on holiday about wanting to be back in England because he was too hot and he missed the rain. Yes, I did explain to him that the Isle of Wight was actually England, but his personal universe appears to begin and end in West London. There are many who say that the current Prime Minister would agree with him, discounting little offshoots of his empire in Oxfordshire or Cornwall.


The British are by nature an optimistic people - we're the biggest market in Europe for convertibles, for example, which after second marriage is the most wonderful demonstration of the triumph of hope over experience. Despite all evidence to the contrary, we still expect our summers to be dry and balmy, full of days which have a nice country walk with a pub at the end of them, and perhaps a bit of messing about on boats if we're lucky. Every year, when the heavens open, the British mutter noisily about climate change and go around turning off the lights as a kind of totem against global warming-induced rainfall. We badly need to adjust our expectations and recognise that we get a few nice days in April, and a few more in September and as for the rest - well, it's worth investing in a good umbrella.


A little delving around the stats on the Met Office website -and some roving around the internets - suggests August has always been pretty rank, weather-wise. The August bank holiday was, apparently, moved back to the end of the month to give it a fighting chance of decent weather. If you take the years 1971 to 2000, August has a similar average rainfall to March, at 72mm, and who'd plan a barbeque for March? I couldn't find any aggregated stats for the last nine years, but I can't think it's improved any.


If this last week's weather has felt foully inclement, it's by no means untypical. What's more, it's hardly the worst August has thrown at us over the years. In 1912, seven inches of rain fell in one afternoon in Norwich, leaving it marooned in mud and flood detritus. The summer of 1956 was also one I'm relieved to have missed - a few years ago, Paul Simons wrote about it in The Times as being "an assault course of monsoonal rains, big floods, giant hail, houses set ablaze by lightning, howling gales and miserable cold". That August was the coldest and wettest on record.

I'm staring out of the office window at a lowering sky, and at an iPhone app that promises a fine afternoon, and wondering whether to fold this season's wardrobe staple, the ineffably chic Cagoule-Burkha, into its handy handbag-sized pochette, or just to put it on, ready to brave the journey home. Such is my desire to stay dry and avoid damp knees - the curse of a British Summer - that I really don't care what I look like. The rain has completely quashed my vanity and I suspect I'm rapidly turning into the kind of woman who will wear purple in the not too distant future.

However, my real issue with the bloody rain is that it works for me like a reverse pathetic fallacy - the weather doesn't reflect my mood, it dictates it. A little sunshine means outrageous fortune's sharpest arrows just bounce off me, but when it rains, the smallest slight pierces my armour and makes me dreary and depressed, as if life from now on was going to be one long wait at a bus stop in a downpour. I can't even default to my usual cheer-up option, a blowdry, because the merest hint of drizzle undoes the best hairdressers work. Shamefully, on re-reading what I've written I realise that the rain also elicits in me the most appalling self-pity.

Someone needs to start a bad weather self-help blog, or at least suggest some strategies for sloughing off a rain-induced fit of the glooms. Who's going to start the ball rolling? There's a YSL lipstick and a Dolce and Gabbana mascara (lovingly photographed by me on my iPhone) for the suggestion that cheers me up the most.